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Après / after 1950 (02/06/26) ADAMS, Rashid Epstein: Madagascar's musical migrations: Instruments as framework to reimagine early Indian Ocean contact. Master's thesis, University of Cape Town, 2018. [read the thesis] (02/06/26) ADAMS, Rashid Epstein: "The Making of a National Instrument: Imagery, Symbolism and the Social Function of the Malagasy Valiha." Music in Art: International Journal for Music Iconography 43/1-2 (2018): 141–158. (11/06/26) MUSZKALSKA, Bożena: "Musical Expression of the Malagasy in Contemporary Christian Churches in Madagascar: Between Tradition and Inculturation." Interdisciplinary Studies in Musicology 25 (2025): 13-23. DOI 10.14746/ism.2025.25.2. [read the article] (11/06/26) KWAPIEŃ, Joanna: "The Ancestral Possession. The Tromba Cult on the Island of Saint-Marie." Interdisciplinary Studies in Musicology 25 (2025): 25-35. DOI 10.14746/ism.2025.25.3. [read the article] (11/06/26) SMOLUCH, Łukasz: "Ôkatrarana Ceremony from Eastern Madagascar: Exploring the Soundscape Between Worlds." Interdisciplinary Studies in Musicology 25 (2025): 37-45. DOI 10.14746/ism.2025.25.4. [read the article] (11/06/26) KOPANIECKI, Jakub: "Among Culture, Nature and Supernatural. Soundscapes of Sainte-Marie, Madagascar." Interdisciplinary Studies in Musicology 25 (2025): 47-57. DOI 10.14746/ism.2025.25.5. [read the article] (11/06/26) ZŁOTKOWSKA, Joanna: "'Go With the Flow'. Madagascar Artists Facing the Challenges of the Modern Times." Interdisciplinary Studies in Musicology 25 (2025): 59-75. DOI 10.14746/ism.2025.25.6. [read the article] (11/06/26) FRĄCKOWIAK, Marcel: "More Than Instrument: Phenomenon of Valiha." Interdisciplinary Studies in Musicology 25 (2025): 77-95. DOI 10.14746/ism.2025.25.7. [read the article] (11/06/26) KOZŁOWSKI, Jan Kazimierz: "Marovany on the Sample-Based Beat: the use of Electronic Equipment by Contemporary Malagasy Musicians." Interdisciplinary Studies in Musicology 25 (2025): 97-113. DOI 10.14746/ism.2025.25.8. [read the article]
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